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Moët & Chandon, arguably the world’s most iconic Champagne Maison, continues to build excitement for its 300th anniversary in 2043. It’s a remarkable milestone for a truly remarkable brand – one which has laid the foundation for countless others to follow, and which continues to present a high water mark for Champagne not only as a quintessential French sparkling wine, but as an icon of luxury and instantly-recognisable shorthand for sophistication. 

The triple-centenary year is being celebrated, as one might expect, in peerless style. In tribute to the anniversary, Moët & Chandon is releasing an exclusive series of ultra-premium cuvées every two years leading up to 2043 – the Collection Impériale – which represent the pinnacle of what the maison has done best for the past three centuries. 

Exclusively limited to a small run of just 85 bottles, each launch of the Collection Impériale is set to be treasured by Champagne enthusiasts, collectors and aficionados, and likely to either be cellared or served by UHNW individuals seeking to make the most grandiose of impressions. 

A masterclass in ultra-luxury branding

At present, details of the second release in the Collection Impériale series remain tightly under wraps. However, there is expected to be a flurry of excitement upon its release either later this year or early next year. While speculation abounds, there’s little doubt that it will intend to build upon the fervour and show-stopping opulence of the first release, which hit the market at the end of 2023. 

The Collection Impériale launches are a fascinating and telling move by Moët & Chandon, which – despite a lofty reputation and global brand recognition – still strives to stand apart in an increasingly noisy and competitive Champagne market. However, by leaning into the brand’s reputation for excellence and extravagance (and, indeed, into Moët’s ‘imperial’ heritage and familial connections with Napoleon Bonaparte), and by partnering with artists and designers to make a bold visual impact, it’s a lesson in maximalist brand marketing that helping the secure the maison’s future. 

We can expect the forthcoming second Collection Impériale launch to follow a similar pattern to the first; a series of intimate and exclusive dinners and tasting events in Paris and elsewhere around the world, where a select few collaborators, ‘friends of the maison’ and UHNW individuals are invited to enjoy an exclusive encounter with the wine. Make no mistake – this is a Champagne promotion super-powered by the utmost exclusivity, compelling brand narratives and top-tier elevated visual identity, further bolstered by a post-launch campaign that’s squarely aimed at the global elite. 

Champagne as objet d’art

One thing’s for sure: while the next release in the Collection Impériale is guaranteed to be a blend of up to seven exquisite vintages (part one featured wines from between 2000 and 2015) crafted from the iconic Chardonnay, Pinot Noir and Pinot Meunier varieties, it’s also sure to look utterly spectacular in its presentation. 

The Collection Impériale series is built on a brief of the utmost extravagance. This means bringing together the art of haute-oenologie with visual artists capable of creating distinctive artworks, as well as iconic collector’s items worthy of prime position in climate-controlled cellars worldwide. 

The first launch of the collection in 2023 kicked things off as it meant to continue; the maison partnered with American contemporary artist Daniel Arsham, who explored architectural themes and ‘the passage of time itself’ via a beautiful and unique avant-garde relief, exhibited at the maison in Epernay. Crafted from white resin (a nod to the chalky soils of the Champagne region) and inspired by Félix Gaudin’s treasured 1890 stained glass panel, the abstract artwork encapsulated both the brand’s heritage and an essence of contemporary luxury – looking both to the past and future in signature audacious style.

Arsham was also tasked to create a limited edition sculptured bottle and collectible chest for each of the 85 releases, which emulated the original artwork and paid homage to Maison’s 1801 Château de Saran. Widely praised for its elegance and artistic vision, Arsham’s creation has unsurprisingly ignited no shortage of intrigue regarding what the forthcoming second launch will look like. 

It’s likely that Moët & Chandon is set to surprise in this regard, keen to continue building excitement and anticipation as 2043 draws ever closer. The maison has plenty of pedigree when it comes to artist collaborations – the question remains whether they opt for the fine art allure established by Arsham, pursue their reputation as a pop culture staple (perhaps best exemplified by Pharrell Williams’ design, which came out earlier this year), head into the realm of technicolour modern art as seen in LeRoy Neiman’s silk-screened bottles… or something else entirely. 

Whatever Moët & Chandon choose to do with their second Collection Impériale (and, indeed, the other eight remaining bottles to be released in this exclusive anniversary run), there’s little doubt that each one will be an essential wish-list item for UHNW enthusiasts worldwide.